Posted in Elephants, Nature, Nonfiction, Photography, Uncategorized, Writing

Heart

Heart shapes can be found in nature, if you’re lucky enough to spy one.  There’s a heart on this elephant’s trunk, a ridge of skin that feels like fine shoe leather.  One of his wrinkles pierces the lower third of this heart shape, from left to right, straight as an arrow.  His real heart hangs between his breastbone and ribs, a little to the left, just like mine does.  But instead of having a heart with a single point, an elephant’s heart has two points at its apex – so it’s the wrinkled outline of a human heart that he carries on his trunk.


The human heart is approximately five inches long, three-and-a-half inches wide and shaped like a pulsing cone.  It is the only muscle in my body that acts on its own – my heartbeat doesn’t need any messages from my brain.  The cells in my heart tissue involuntarily constrict, all together, all at once, over and over, a soft perpetual-motion machine.  Rip my heart from my body, chop it into pieces, immerse the pieces in a saline solution, and then give them a small jolt of electricity.  The remnants of my cardiac muscle will contract . . . contract . . .  contract – all on their own, sometimes for hours.

It’s designed to be strong, my heart.

In mammals, birds, and reptiles the heart has the same basic pump-like design, a design that has worked through eons – even cold-blooded dinosaurs had hearts.  A day or two after fertilization, embryos develop a pinpoint that pales, then brightens, pales, then brightens, the beginnings of a tiny pump practicing emptying, filling, emptying, refilling.  An old, old pattern.  The master timepiece.

There are four chambers in my heart: two auricles (“little ears”) and two ventricles (“little bellies”) – named by anatomists for the external parts of the body they resemble.  Spent, dark-red blood is collected in the right auricle, then dropped into the right ventricle, which constricts and pumps it out to the lungs to pick up oxygen.  Bright red again, full of oxygen, blood circulates back to the left auricle and from there drops into the left ventricle.  In the next twitch blood is delivered to every corner of my body.

The “little ears,” the auricles, make very little sound as they drain blood into the lower chambers of my heart, a distance of an inch or so.  It’s the ventricles, the “little bellies,” that boom as each contraction forces open heart valves and blood gushes up the aorta under pressure.  Lupp DUPP.  Lupp DUPP.  Lupp DUPP.  One beat smaller, one beat larger, flush after flush.

My right ventricle has walls thin as paper – it delivers blood only as far as the lungs.  If I could hold it up to the light I could see right through it.  The left side of my heart is the heavyweight lifter, pumping blood all the way to my toes, moving 150,000 tons of blood in my lifetime.

We each have roughly one billion heartbeats for our lives.  Mouse, hummingbird, elephant, human, all the same.  Like us, elephants suffer cardiovascular disease, die of heart attacks and strokes.

Cardiac arrest: when the heart shudders and stops, when the light in the eyes flickers, fades and snuffs.

And when the heart quits beating, its resonance

Lupp DUPP     Lupp DUPP     Lupp DUPP

is gone.  The gurgle of digestion, all the silky, sturdy, slapping noises, the blood rush, gone.  The symphony of the body is finished.

For those of us left, that silence is almost too much to bear.

Author:

Cheryl Merrill’s essays have been published in Fourth Genre, Pilgrimage, Brevity, Seems, South Loop Review, Ghoti, Alaska Quarterly Review, Adventum and Isotope. “Singing Like Yma Sumac” was selected for the Best of Brevity 2005 and Creative Nonfiction #27. It was also included in the anthology Short Takes: Model Essays for Composition, 10th Edition. Another essay, “Trunk,” was chosen for Special Mention in Pushcart 2008. She is currently working on a book about elephants: Larger than Life: Living in the Shadows of Elephants.

4 thoughts on “Heart

  1. This is a wonderful essay! I was a biology teacher once upon a time and would have loved sharing this with my classes.

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