I write about elephants. I write about other things, too.
Author: Cheryl Merrill
Cheryl Merrill’s essays have been published in Fourth Genre, Pilgrimage, Brevity, Seems, South Loop Review, Ghoti, Alaska Quarterly Review, Adventum and Isotope. “Singing Like Yma Sumac” was selected for the Best of Brevity 2005 and Creative Nonfiction #27. It was also included in the anthology Short Takes: Model Essays for Composition, 10th Edition. Another essay, “Trunk,” was chosen for Special Mention in Pushcart 2008.
She is currently working on a book about elephants: Larger than Life: Living in the Shadows of Elephants.
Here’s a little fairy tale: Once upon a time, elephants lived to a rhythm of their own making. There were no elephants in captivity. They were captured only in legend, in song, painted onto walls of caves, etched on the flat sides of rocks. There were no elephants on reservations, in circuses, in sanctuaries, or zoos. No elephants were murdered solely for their tusks. They were not orphaned by the slaughter of their families, nor made to endure solitary confinement, leg irons, beatings, prods, and electric shocks. They were not enslaved. They were not used as vehicles of war. They were not made to wear radio collars, jeweled headpieces, or bear intricately carved wooden howdahs on their backs. They did not carry princes, or hunters, or loggers, or performers, or tourists. They were not forcibly relocated from the land of their birth. Most died of old age. Once upon a time elephants knew a landscape without fear, without fences, a landscape empty of humans. Once upon a time, elephants were everywhere.
It’s 5:30 a.m., overcast and dark, very dark. Driving to work from the country into town, I’m jittery and wide-awake after two cups of coffee. In fact, I might be the only one who is awake – I meet no other traffic. It’s the time of year when I go to work in the dark and come home in the dark. I live far enough north for hibernation.
The headlights of my car fan out before me and tap the tops of trees as the road rises beneath me to the crest of a small hill. As I reach the top and start toward the bottom, right in front of me, no time to brake, there is a wolf in the road. Full of surprise, his yellow eyes meet mine.
I drive right through him.
No contact, no impact.
Stunned, my mind searches for answers: That was a wolf! No, it wasn’t a wolf; you didn’t hit anything. But it was a wolf: long thin muzzle, gray and silvery ruff, rangy legs. It wasn’t a coyote; it wasn’t a dog; that was a wolf! It couldn’t have been a wolf, because it wasn’t there! No, it was there, I saw it! How could you see a wolf? They haven’t been here for a hundred years. If it wasn’t a wolf, then what was it?
Parallel universes? A hundred-year tear in a moment of time? Science Fiction? No, it was a wolf! I saw it!
I glance into the rearview mirror. Darkness, total darkness beyond the faint red glow of my tail lights.
Perhaps there is a wolf out there, loping away among dark trees, unnerved at his encounter with a huge two-eyed roaring monster that froze him in his tracks and disappeared at the moment it came close enough for him to smell its stinking breath.
We shake our heads, the wolf and I, trying to dislodge the strange scene, which disappeared as fast as it appeared. Two convergent creatures tangling out-of-sync, caught in a collision of lives, of timelessness, creating for both of us an instant of absolute astonishment. Above us, the whirling constellations leave fading paths across the sky.
I rock back and forth, toe to heel, toward the fire and away from it. My boots touch coals while stars crowd close around, peering over my shoulder, whispering ancient stories in my ears. Only moments earlier giraffes reflected the setting sun, but now their silhouettes fade, blur and disappear. Soon, out there beyond this fire, hyenas will make short work of bones.
In the darkness elephants are on the move, and almost without sound, except for the occasional rifle shot of a cracked branch. I wish I could hear condensed air – infrasound – soft rumbling kisses brushing my cheek. The compacted silence is completely full of presence, of huge milling bodies on padded feet. A herd of mountains relocates during the night while my thoughts swirl, embers stirred by wind.
Suddenly to my right, trumpeting, perhaps furious at being left behind, an elephant thunders by, an outraged trombone blowing past. I lift my head to follow the sound, but it’s my ears, not my eyes that see.
In the morning, no more than a half-mile from camp, we encounter a herd of sixty elephants. Nervous mothers guide their newborns away with their trunks, shield them from us with their bodies. Young punk males show off for each other, make small charges to see if our vehicle will bolt. Huge bulls, intent on mating, barge past like runaway cement trucks.
We sit in the middle of a herd. Two males give us a rear view of old men in baggy pants. A jumbo-jet sized matriarch leisurely crosses right past our front bumper. Her ears are perfect replicas of the map of Africa. Like fingerprints, no two elephant ears are the same. As pliable and soft as worn canvas, their leading edge is often caught and torn on branches and scrub. Hers has a neat, perfectly round hole near the bottom of Africa, right about where we are in Zimbabwe.
A young female strolls by, scans us as if we’re department store mannequins. She’s so close all I can do is snap a picture of her eye. She stops, blinks, and regards us with the air of a disinterested shopper. I look down at her feet, round in front, oval behind. The round one is about the size of a medium pizza pan. I glance back up, directly into her eyes. She stares back and shakes her head so hard that her ears flap. A great cloud of dust rises from them. Then she moves on.
Heads swivel and eyes follow a finger pointing skyward.
Locked together, talons to talons, African fish eagles plummet toward earth in their mating dance, twirling in passionate grip with each other, taut bodies wheeling faster and faster towards earth, picking up suicidal speed. Spiraling, spiraling, feather tip to feather tip, wind streaming through their feathers.
The eagles break off a second before hitting the ground and swoop up to roost in trees opposite each other. They scream back and forth, flinging their heads over their shoulders. The female’s voice is lower, counter-point to the male’s shriek.
One of the guides shakes his head. “I have never seen that before.”
Like the bald eagles in North America, African fish eagles have chestnut bodies, long yellow beaks, yellow feet, pure white heads, white tails and white chests, although their bibs are larger.
They have the same habits – they mate for life and build huge stick nests in trees, nests twelve feet wide and ten feet deep. They dwell in the same habitats – rivers, lakes, creeks, lagoons, estuaries, sea coasts and man-made reservoirs. Both carry fish caught near the water’s surface in their grasping talons, carry the fish headfirst for lesser wind resistance, one claw behind the other, surfing, riding a fish through waves of air.
Holding to their tree with fierce feet, the eagles continue to scream at each other, perhaps in excitement from their mating twirl, or perhaps because they are dizzy. Eagles have somewhat the same structure in their inner ears as humans, including the looping canals for balance. Ah, that instinct, the one that will sweep you off your feet, twirl you around, make you dizzy, breathless, and, for the moment, drop you down totally in love.
There is a hole in the space between us, filled with thrown dust. You stare down your nose with a don’t-mess-with-me look, but I am describing things in my language, not yours. Yours is a language of thunder, trombones, and a low, rumbling growl. Your breasts are full; your child hides behind you. We have come knockata-knockata noisy around the corner in a vehicle now halted before you. How quickly we became silent and supplicant, waiting with immobile slightly bowed heads, as you sample the scent of our intentions. We are watchers watching each other. Your eyes are deep brown pools. Your benevolence is the most important thing to us. We hope you will bestow it upon us. Dear Madame Elephant, what would you tell us in our language, if you could. Or did you already tell us: your forbearance louder than our beating hearts, louder than words.
As the Earth turns on its axis, everything attached to it turns with it, a lovely effect of the force we call gravity. Without gravity, we’d fly off into space in less than a heartbeat.
The earth’s rotation has another beneficial effect: instead of the atmosphere circulating only between the poles (high pressure areas) and the equator (a low pressure area), circulating air is deflected toward the right in the Northern Hemisphere and toward the left in the Southern Hemisphere, resulting in curled paths. This deflection is called the Coriolis effect, named after the French mathematician Gaspard Gustave de Coriolis (1792-1843) who studied the transfer of energy in rotating systems like waterwheels.
Because of this atmospheric circulation, it’s also believed that water goes down a sink in one direction in the Northern Hemisphere and in the opposite direction in the Southern Hemisphere. Coriolis’s deflection causes weather systems to rotate counterclockwise in the Northern Hemisphere and clockwise in the Southern Hemisphere, so it seems somewhat obvious that a sink should drain in a similar manner.
However, cyclonic systems are often more than 600 miles in diameter and may exist for several days. By contrast, a typical sink is less than four feet in diameter and drains in a matter of seconds. On this scale, the Coriolis force is miniscule – and not really observable.
But enterprising hucksters never let the impossible get in the way of yet another tourist trap. In Nanyuki, Kenya, a little town located right on the equator, proof of the Coriolis effect exists. In the burnt shell of the Silverbeck Hotel, at the exact altitude of 6389 feet, (the sign says so), a small squarish plastic sink with a very small hole in the bottom of it rests on a pinkish bucket. The gullible group I’m with stands in the southern hemisphere. The demonstration goes like this: one of the demonstrators holds the empty sink and puts his finger in the hole to plug it. Water is slowly poured into the sink, the finger removed, and the sink is carefully set over the bucket. Matchsticks are added. The water, very slowly drains and the matchsticks barely move. Then the whole enterprise is moved about twenty feet away into the Northern Hemisphere. The sink is plugged, filled from the bucket and water in the sink is allowed to settle down. Then the sink is set down and once again, matchsticks are added to the water. The matchsticks rotate counterclockwise. Moved twenty feet into the Southern Hemisphere, the matchsticks rotate clockwise. After the demonstration we’re given the golden opportunity to purchase a certificate commemorating our witnessing of the Coriolis effect, so we can prove to our friends, who may never have a chance to visit the equator, that we saw one of the wonders of the world.
Alas, the truth always gets in the way of good stories. The secret for this deception is in the shape of the sink and a little choreography. For the first demonstration right at the equator, the water in the sink behaves as it should, with no discernible matchstick rotation in either direction. For the northern part of the demonstration, the pan was filled as the demonstrator faced the equator. He then turned to his left, walked around the bucket, turned to his left again, before he pulled the plug of his finger and added matchsticks. He’s just induced counter-clockwise rotation in a non-circular pan – because of drag, water will turn as the pan does. For the Southern hemisphere he repeated his actions, but turned to the right instead of left.
Clever, eh? But, no worries. Half the world believes that sinks drain differently in different hemispheres. It fooled Michael Palin, too, on a PBS show, no less. And it’s actually true that you can demonstrate the effect with draining water, but you need a kid’s pool, 41 degrees of separation and synced cameras, like these dudes did:
Vervet monkeys chatter to each other as they jump along the branches of a Sausage tree over my head. I look up. The monkeys peer down through the tree’s large, leathery leaves. Small bits of dead flowers rain down. Brown eyes in the middle of narrow black faces stare back at me.
They wouldn’t, would they?
Last night, without any aid from the monkeys, the tree dropped a bomb next to my tent. At two feet long, six inches in diameter, and weighing nine pounds, one of the fruits dangling deli-style from the Sausage tree made quite an impressive WHUMMP! when it hit the sand. I wonder about the motives of the potential bombardiers overhead.
Light-gray thin bodies dart from branch to branch. The monkeys stop and stare, stop and stare. The bombardiers look as if they wear black oxygen masks and gray flight coats with white ruffs.
More bits of flowers and leaves rain down.
Livingston camped beneath a Sausage Tree right before he discovered Victoria Falls. What if its fruit had bonked him in the head? Stanley might have searched in vain for the famous explorer and never uttered, “Livingston, I presume?”
And what would have happened if that relentless experimenter, Isaac Newton, had been beaned with a sausage fruit instead of an apple? Would we still have the theory of gravity?
I bet that we would. After recovering from a concussion, Newton would have gone right ahead and figured out his equations. After all, this was the guy who stabbed his eye with a needle just to see what would happen.
The Vervet monkeys tire of watching me and settle higher in the tree. Thanks to the restraint of my overhead companions, I’m able to continue on without incident.