Posted in Africa, Birds, Nature, Nonfiction, Photography, Travel

The Mating Twirl

photograph by Cheryl Merrill
photograph by Cheryl Merrill

“Look!”

Heads swivel and eyes follow a finger pointing skyward.

Locked together, talons to talons, African fish eagles plummet toward earth in their mating dance, twirling in passionate grip with each other, taut bodies wheeling faster and faster towards earth, picking up suicidal speed. Spiraling, spiraling, feather tip to feather tip, wind streaming through their feathers.

The eagles break off a second before hitting the ground and swoop up to roost in trees opposite each other. They scream back and forth, flinging their heads over their shoulders. The female’s voice is lower, counter-point to the male’s shriek.

One of the guides shakes his head. “I have never seen that before.”

Like the bald eagles in North America, African fish eagles have chestnut bodies, long yellow beaks, yellow feet, pure white heads, white tails and white chests, although their bibs are larger.

They have the same habits – they mate for life and build huge stick nests in trees, nests twelve feet wide and ten feet deep. They dwell in the same habitats – rivers, lakes, creeks, lagoons, estuaries, sea coasts and man-made reservoirs. Both carry fish caught near the water’s surface in their grasping talons, carry the fish headfirst for lesser wind resistance, one claw behind the other, surfing, riding a fish through waves of air.

Holding to their tree with fierce feet, the eagles continue to scream at each other, perhaps in excitement from their mating twirl, or perhaps because they are dizzy. Eagles have somewhat the same structure in their inner ears as humans, including the looping canals for balance. Ah, that instinct, the one that will sweep you off your feet, twirl you around, make you dizzy, breathless, and, for the moment, drop you down totally in love.

Author:

Cheryl Merrill’s essays have been published in Fourth Genre, Pilgrimage, Brevity, Seems, South Loop Review, Ghoti, Alaska Quarterly Review, Adventum and Isotope. “Singing Like Yma Sumac” was selected for the Best of Brevity 2005 and Creative Nonfiction #27. It was also included in the anthology Short Takes: Model Essays for Composition, 10th Edition. Another essay, “Trunk,” was chosen for Special Mention in Pushcart 2008. She is currently working on a book about elephants: Larger than Life: Living in the Shadows of Elephants.

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