Posted in Elephants, Extinction, Mammoths, Mastodons, Nonfiction, Writing

The Great Ones

 

photograph by Cheryl Merrill

 

Outside my window shaggy shadows move among the firs. An immense shape assembles and disassembles in the wind.

Fourteen thousand years ago, mastodons and mammoths roamed North America, grazed alongside the buffalo. Paleolithic peoples followed the woolly giants across the Bering Bridge to lands as game-rich as the Serengeti. Projectile points can be found embedded in the bones of their prey.

But now the great ones are nearly everywhere gone.

Time twists as I stare out the window at the huge ghost facing me. A giant form conjured from a smear of rhododendrons and shadows lifts his trunk into the wind, changes back into a bush beast with flowers in his stomach, and is extinct once again.

 

Near a small, bog-rich pond, a pussy willow rattles pearl-gray catkins in the driving sleet. Ice coats the bare branches of a soopolallie growing at the water’s edge, frozen red berries clinging to their stems. Upslope from the pond, in a brushy part of the tundra, a herd of elk seeks shelter from the spring squall. Higher still, the mountains are sheathed in glacial ice.

The temperature drops and the sky clears. When night falls curtains of light shimmer in the north, an aurora rippling in solar winds. Oxygen atoms bombarded by geomagnetic storms turn the whole hemisphere red. Glazed with the colors of fire, the pond flickers and burns throughout the night.

A muskrat surfaces and swims towards her burrow. The legs of a frog dangle and twitch from her mouth. The wake behind her broad tail sends ripples through the aurora’s reflection shimmering on the pond’s surface. The ripples pass through a black, four-legged silhouette in the middle of the pond. Looming over his own night shadow, an old mastodon bull curls his trunk into his mouth and releases cold clear water down his throat.

All day, during the icy storm, the mastodon browsed on sage, spirea, rosehips, frosted buttercups, wormwood and sedge as the wind left ice crystals in his eyelashes. He trudged across a marshland through sticky, hydrated clay, each footstep making a loud, sucking sound. Sunshine and snow, both opalescent, washed over him in waves.

All day long on the tall-grass prairie, through blowing clouds of sunshine and snow, he saw herds of equus and pricus, horses and bison, standing with heads lowered, their backs to the stinging wind. He saw a shaggy outline sweeping the tall grass clear with her curled tusks. Barely visible, a small calf nuzzled the fur between her front legs and suckled from a hidden breast.

Recognizing her high domed cranium and sloping profile, the mastodon did not cross the prairie to meet her, though he has seen her foraging at this place before. She is a mammoth and not of his low-browed kind.

At a gravel bar he crossed a crystalline river formed from glacial outmelt. A goose feather spiraled down from a migrating flock. His pace was slow and he often stopped, his trunk resting on the ground. An Arctic fox circled in behind him, veered away when he wheeled and held his huge tusks high.

Finally, in the middle of the night, he reached the pond and waded in.

Now he drinks and eats listlessly, pulls out hippuris, water plants with long tails and sweet green stems. The sky is clear, cold, and the blood-red aurora flames and dances over his head, wildfire in the sky. Cattails chatter in the wind.

He staggers toward the bank of the pond and into boggy mud – rich, black, and carnivorous. He touches his side, where the hole-that-hurts still bleeds. Mired, he closes his eyes, sways, falls.

Near dawn the two-legged hunters find him on his side, half in water, half out. They build a fire and settle to their work.

 

Fourteen thousand years later, in the summer of 1977, near the town of Sequim in Washington State, Emanuel Manis decided he wanted a duck pond in his front yard. His backhoe brought up a couple of blackish curved logs. His wife Clare thought they might be tusks and started making phone calls, eventually contacting Washington State University. The resulting excavation lasted eight years and attracted 50,000 visitors to the Manis farm.

In the loam of an ancient pond the archaeological dig found a mastodon. The left side of the skeleton was intact, all the bones in their correct anatomical position. The bones of the uppermost side, the right side, were scattered upslope from the pond and the mastodon’s shattered skull faced backwards, as if staring at its own remains. Many bones had scratches, indentations, rectangular gouges and sharp-edged cut marks – the type of fracturing done in large-scale butchering, butchery less like gutting a fish and more like chopping up a tree.

But the star of the excavation, the reason so many people journeyed to the Manis Mastodon site, was a fragment of rib that had a bone spear point embedded in it.

The first direct evidence that humans hunted mastodons.

Originally researchers thought the spear point was made of elk bone, but later analysis confirmed it was fashioned from another mastodon. It was sturdy enough to penetrate thick hide, ten inches of muscle, and three-fourths of an inch into the rib. The rib was healing, so the mastodon may have died of infection, old age, or many more wounds that did not show on his bones.

Three charcoal beds, one on top of the other, were unearthed near the pond, evidence of the oldest human occupation yet found in the Americas. During a later phase of the excavation, twelve separate layers of human habitation were discovered, ranging from 7,000 to 14,000 years ago.

The site was occupied again and again by people hunting and butchering other large mammals, such as bison, that gathered at the ancient pond. The partial remains of two more mastodons were excavated. Radiocarbon dating determined that their bones – which also had the square-cut marks of butchering – were even older than those of the mastodon originally discovered. In 1996, the remains of a mammoth were found near the site. The two elephant species lived there together, 14,000 years ago.

Emanuel and Clare Manis were more than generous. They built a fence, arranged parking, allowed researchers to construct a laboratory and storage sheds, gave tours and turned their barn into a theater for audio slide shows. And to the skeptics at the time who questioned whether or not humans hunted mastodons, Clare Manis had a short, curt reply. “What, did an elk explode?”

After the excavations were finished in 1985, the ancient pond was reburied to protect the bones that remained. The site officially became part of the National Registry of Historic Places in 1978. “Manny” Manis died in 2000; Clare Manis Hatler eventually remarried. In 2002, the land was donated to an archaeological conservancy.

Not long ago I visited the museum in Sequim, near the site of the Manis farm. Some of the mastodon’s bones remain there, caged behind glass, chop marks clearly visible from the butchering. A huge tank holds the tusks underwater so they won’t dry out and become brittle. On a shelf nearby is a rib bone labeled “Please touch me.” It’s highly polished by the thousands of hands that have done so. And just as thousands of hands obeyed the impulse to caress its delicate, yellowed length, so did mine.

I missed him by only 14,000 years, an eyelash of time.

photograph by Cheryl Merrill
photograph by Cheryl Merrill
Posted in Africa, Lions, Nature, Nonfiction, Photography, Travel, Writing

The King of Beasts

No other creatures of the savannah sleep as deeply or as soundly as lions, but after all, lions are the main reason for not sleeping soundly, so this is not surprising. – Elizabeth Marshall Thomas, The Old Way

 

We’re in a diesel Land Rover, a lovely old relic of earlier safari days thirty, maybe even forty, years ago. It shudders loudly when we stop. Yet they don’t wake up.

Two male lions sprawl in a cool swath of sand shaded by a thick clump of mopane. Blotches of pale blue rest upon tawny bodies like cloud shadows. It’s late afternoon and the sun is softening into that round light that blurs the edges of things.

After our ears clear of the clatter from the Land Rover, the wary silence whispers in a leaf twitch, in the movement of the sun across the sky. It’s the kind of silence that follows a lion’s roar. Even the birds are hiding.

The lions sleep on their sides. They haven’t eaten lately; their loose hides wrinkle against the ground. Without opening his eyes, the closest rolls onto his back. A small spot of sunlight outlines his high ribcage, deepens his navel.

Odd to think of him as a placental mammal, like humans. Odd to think of our inheritance from the Old Days, when we were afoot with cats. We were armed then with spears and rocks and our ability to make ourselves seem larger than we were, brandishing blazing torches, standing upright together, throwing and screaming.

Lions rarely sleep at night. It is the time of greatest vulnerability for most, and it would be so for us, too, if we were alone, without fire or companionship. But now we are encaged in the old Land Rover, gazing down without fear at two lions asleep on the blue-dappled sand.

There is something else watching. Lying deep in the mopane, camouflaged by leaves, a lioness stares at us. Her eyes are unwavering, ringed in black, with a white patch under each one. Long minutes later she loses interest in us and yawns, revealing the black edges of her gums, a baby-pink tongue, sharp white fangs, and one tooth broken. She looks over at the males.

photograph by Cheryl Merrill
photograph by Cheryl Merrill

They sleep on. The closest male has the abandoned flung body of a napping child. No, not a child. Not with hard-muscled shoulders and those ripping claws.

Between splayed legs his balls droop in their bags. We notice a tick crawling across one of them, wild creature upon wild creature. Small attacking large. As the tick tickles his scrotum, the tip of the lion’s penis emerges from its furred sheath, begins to drip. His right hind paw lifts and twitches.

Now we know his dreams.

photograph by Cheryl Merrill
photograph by Cheryl Merrill
Posted in Elephants, Mammoths, Nonfiction, Pleistocene, Sacred, Writing

Cave Walls

Rouffignal - The Cave of a Hundred Mammoths, France
Rouffignal – The Cave of a Hundred Mammoths, France

 

There is comfort in keeping what is sacred inside us not as a secret, but as a prayer.

  • Terry Tempest Williams, When Women Were Birds

 

There are certain things that can only be learned from a different perspective.

Pushing aside the darkness, a tiny, flickering lamp in hand, our ancestors crawled into the caves of Europe to paint the animals important to them. Still alive on those walls, mammoths with high, domed foreheads and a hump over their shoulders face two-legged stick hunters. Their humps held fat reserves, making them coveted prey, and dangerous prey make great stories.

Caves are potent, resonant underworlds. Tallow lamps held in a hand cast a low-level light, shadow each curve of the rock wall, suggesting a hump over there, the curve of an antler here.  With red, brown and yellow soils dampened by egg white, blood, animal fat or plant juices, our ancestors recorded the vocabulary of the hunt on wall after wall. They made their brushes of hair and their sponges of moss or leaves. They inhaled the dampness of the earth that receives all, both those who eat and those who are eaten.

Escape, exhaustion, success, death, galloping bison and herds of antelope, squared jaws of lions, the arched necks of horses, and outlines of cave bears – painted by generation after generation of artists, who left their signatures in an outline of a hand or a couple of dots, who left only stick representations of themselves.

After etching the outline of a mammoth on rock and storing its spirit forever in darkness, the crawl back to light perhaps gave the world a new appearance – as if it could be conquered, controlled, illuminated, literally brought alive by an artist. Life stories painted under the ribs of the earth. Hidden knowledge. The past the present the future recorded on rocks deep in caves.

Was the crawling to light a prayer?

We are the progeny of ancestors who lived with, hunted and ate the great ones. We are the result of their lives intertwined with those they knew in the belly of the earth.

I carry in my veins a longing for turquoise-blue glaciers, a blood-red night sky and breath I can see as I breathe. Ancient memories flicker across my mind, casting shadows against cave walls. I press my hand against rock, blow pigment between my fingers. This is my signature. Look, I was once here. See how your hand fits into the outline of mine? See these hairy elephants? They were here then, too.

Imagine the smell of air freshly born from retreating glaciers, a sky cleared by melting snow. Imagine the scent of an earth newly thawed. Out there, just like you painted, a mammoth driven by a hunt has fallen over a cliff and bellows arrive in waves.

Our palm prints on cave walls, carvings on bone, the exposure of light on glass plates full of chemicals, digital cameras, electrons arranged in display across computer screens, voices tumbling through the air – is it the destiny of the human race to remember and record? Is that our place on earth?

There is a cave of light from our eye to our brain; but it is the corners of our eyes that perceive the most light; the corners of our minds where we begin to understand.

Cave of the Hands, Argentina
Cave of the Hands, Argentina
Posted in Africa, Elephants, Nature, Photography, Travel, Writing

Larger than Life

 

Here are the first few pages of my manuscript, Larger than Life: Eye to Eye with Elephants.  Having read this much, would you go on reading the rest of the book?  I’d love to have feedback.  Thanks!

 

photograph by Cheryl Merrill
photograph by Cheryl Merrill

 

There is nothing like him on earth. His head alone is more immense than an entire gorilla.

Jabu is one hundred times larger than I am. His trunk is larger than I am. A single leg is larger than I am.

He rests his trunk on the ground and the tip of it lifts, opens, inhales my scent. I reach out and run my fingers along his warm tusk.

Do you recognize me, Jabu, do you?

  *   *   *   *   *

The pilot lets me sit up front.  As his clattering Cessna lifts straight into the sun, we pass a line of small aircraft and a block-and-brick terminal only slightly larger than the Air Botswana 727 parked next to it.  We leave behind a flattened land where the tallest structure is a water tower, where the olive-green scrub spreads as far as can be seen, and where footsteps have no echoes in a country mantled by sand.

We gain altitude and Maun slides under us.  The last town before venturing into Botswana’s Okavango Delta, Maun is an odd frontier mix of trading companies, outfitters, curio shops, supermarkets, cattle in the streets, and an airstrip long enough for daily international flights.

We fly higher.  Haphazard, barely paved roads meander to round stockades – bomas, fenced by thornbush.  Each boma contains a hut plastered with mud and roofed with straw, or a small square cinderblock covered by rusty corrugated metal.  Only a few corral a cow or a goat.  Behind us the last buildings disappear into a curtain of shimmering haze.  Maun melts into the desert.

The shadow of our Cessna passes over thin dirt tracks, which lose their way and vanish.  A waterhole appears, an orphan left behind by last year’s flood.  Another comes into sight, and then another.  Etched into the sand by countless hooves, game trails wander through the dry landscape, headed to those life-giving pockets of water.  Few animals follow the trails in the heat of the glaring sun.  A small herd of zebra.  A single giraffe.

Suspended above what could be considered a great emptiness, I remember the map I studied a week ago.   Printed alongside the log of GPS coordinates for airstrips – some of them makeshift, many little used – I read another list of handy notations. “Tourist road, 4×4 required . . .Top road extremely sandy, takes very long.”  Eighty percent of Botswana is covered by sand, some of it a thousand feet deep, but the airstrip where we’ll land is barely above water.

Swollen by November rains, the Okavango River floods south from Angola, arrives in Botswana in May or June, fans out, and then stops when it bumps into a barrier of fault lines near Maun.  Landlocked, the river penetrates deeply into the Delta before it dies in the Kalahari sands.  Not a single drop reaches the sea.

As the river pushes south, it creates, in the midst of a vast desert, an oasis – a floodplain the size of Massachusetts containing an ark-full of animals.  Dependent upon the rainfall in Angola, the river swells or shrinks.  In the dry season, it leaves behind ponds no bigger than puddles, abandoned lagoons that shrink into brackish swamps, and waterholes reflecting a cornflower blue sky.

 Last week I reviewed the latest satellite photograph of the Delta – four skinny channels with several webs of water between them.  The river is beginning to flood.  The photograph reminded me of a duck’s giant footprint pressed into the sands of southern Africa.  I located my destination, a dry spot between two of the bird’s toes.

Twenty minutes after leaving Maun, the pilot pushes in the throttle and the Cessna’s clatter mutes.  We drop lower.  A thousand waterholes are a thousand mirrors signaling the sun.  Lower still, the mirrors turn back into waterholes, some of them connected  in long braids of water.

Right before we land on a strip of dirt, we glimpse a cheetah sprinting for cover.  With that single spotted blur, my life divides once again between home and Africa.

Posted in Africa, Elephants, Nature, Photography

Monuments

photograph by Cheryl Merrill
photograph by Cheryl Merrill

As we make our way down the two-rut road, a mob of Helmeted guineafowl runs ahead of us.  They dart from one side of the road to the other, a bunch of silly old biddies, with shrunken featherless heads, thick bodies covered in spotted dark gray plumage and large rumps that bounce when they run.  Blue jowls on their necks flap back and forth under their beaks.  They never once consider flying to get out of our path.

The guineafowl call excitedly to each other as we flush them: Keck, keck, keck, keck, keck, keck, KECK!!!!!!!  Eventually they dash to the side of the road and disappear into the bush.

Ignoring them, the elephant in front of us steadily treads down the right rut of the road.  His pace is unhurried, measured, constant.  A shoulder lifts, a leg straightens, accepts weight, and the foot splays out.  A back leg moves forward, toenails scraping sand, straightens, accepts weight, and the foot splays out.  A creature bigger than most monuments is on the move.

photograph by Cheryl Merrill
photograph by Cheryl Merrill
Posted in Africa, Elephants, Nature, Writing

Listen Live to Elephants, Again

photograph by Cheryl Merrill
photograph by Cheryl Merrill

 

If you missed it the first time, my radio interview will be broadcast again this evening, Tuesday, November 10th, from 10-11 p.m., P.S.T., United States.  Heres the live feed link: https://kptz.org

Posted in Africa, Elephants, Nature, Photography, Travel

Listen Live to Elephants!

Photograph by Cheryl Merrill
Photograph by Cheryl Merrill

 

I’ll be speaking on our local radio station, KPTZ 91.9, on Friday, Nov. 6th, at 1:30 p.m. Pacific Standard Time, U.S. and answering questions about all things elephant.  For my friends all over the world, you can live-stream by clicking on the link below, and send in email questions.  Plus we’ll be broadcasting examples of elephant sounds.  See you then!

You can click here to listen!

Listen Live

Posted in Africa, Nature, Nonfiction, Photography, Travel

Symbiosis

photograph by Cheryl Merrill
photograph by Cheryl Merrill

 

For most of the morning a group of female giraffes has followed closely behind us. Whenever we stop, they stop, too, and the spotted derricks of their necks swivel in all directions to get a better look at us. At the end of each neck, a head is cocked sideways: the universal body language that says, “Huh?”

As the giraffes become more relaxed in our presence, they feed more closely and don’t look up at us quite as often.

I stop and take a photograph, of a graceful giraffe with an oxpecker on her neck, as she bends down to browse.

Red-billed oxpeckers use their bills to comb through the fur of large mammals both wild and domestic for ticks and bloodsucking flies, clinging to their hosts with sharp claws. They also feed on earwax and dandruff, and have been observed opening small wounds, as well as enhancing existing wounds, in order to feed on blood. Oxpecker courtship and copulation occurs on their hosts while they ride along, and they cushion their nests with hair from their host.

Living together in the animal kingdom.

Posted in Africa, Elephants, Nature, Nonfiction, Photography

What If?

 

photograph by Cheryl Merrill
photograph by Cheryl Merrill

As I walk to my tent at the edge of camp, my vision is elemental, full of shapes without fine details. Shifting slabs of moon-glow keep rearranging trees as if they are pieces on a giant pearled chessboard, their trunks whitewashed the color of ash.

I enter my tent, zip it shut, and switch on the lamp. The electricity comes from batteries charged by solar panels on the other side of camp, carried by a line buried several inches below the sand. Not long after, I turn off the light and crawl into bed.

I roll on my back and blindly stare at the black canvas ceiling of my tent, looking back at the bright moments of the day. But then an unexpected memory darkens the darkness.

In 1996, on my first trip to Africa, I was in a carload of tourists rounding a corner on a sandy road in an area of Zimbabwe where elephants were recently massacred for their tusks. We rounded the corner and stopped – face-to-face with a huge matriarch.

Richly repulsive, an unnatural, confined scent rose from us – odors of food on our clothes and in our hair; flowers washed in alcohol dabbed behind our ears; dead skins around our waists and on our feet; grease, oil and exhaust from our vehicle.

With her trunk shaped into a “J,” the elephant sampled the waves of scent emanating from us, and then tossed our smell away with an emphatic flick. Unnerved by our overpowering human stench, a miasma with a deadly history, she turned and fled, while the half-shadow of dust that marked her exit collapsed to the ground.

The air around me tightens. Canvas walls crowd in, closer, and then closer.

What if our days were measured in scents rather than minutes? What if we could tell the difference between a friend and a murderer with just one sniff?

 

Posted in Africa, Elephants, Nature, Nonfiction, Photography

An Afternoon Nap

An excerpt from my book, Larger than Life: Living in the Shadows of Elephants

My eyes tired from a day spent looking into the sun,  I drowsed in a Land Rover beside a waterhole in Chobe National Park. Only a few yards from our vehicle, a single-cylinder pump drew from the water table beneath the sands and sent spurts through a pipe to a square concrete trough. The bachelor elephants of Savuti congregated around the trough as they waited for spring rains and the return of female breeding herds.

The steady sound of the pump, chugga-sputter, chugga-sputter, chugga-sputter, lulled my eyes closed. They opened, closed, opened half-lidded, closed again.

“Here he comes,” someone whispered and my eyes flicked open as a huge bull strolled past. I picked up my camera.

His enormous tusk splayed out almost sideways. I focused on his great head, nodding downward with each step, as he trudged past. A thirsty pilgrim in a parched land, his trek to water was nearly finished. The clicking and whirring of our cameras didn’t alter his gait.

Savuti male b&w
photograph by Cheryl Merrill

 

Through the viewfinder I marveled at his tusk. It was easily four feet long, stained and chipped on its end. Because of the growth pattern of his tusks – out, rather than down and up – he seemed a much wider elephant than he really was.

Mid-drink, he curled his trunk into his mouth; head tilted back, eyes closed. Extending his trunk into the waterhole, he blew bubbles before curling his trunk again and again to hose several gallons at a time down his throat. With each swallow went samplings from all the animals that drank here – zebra, wildebeest, warthog, ostrich, hyena and the occasional furtive flavor of lion.

I tried to imagine the bouquet garni of the waterhole and how its myriad fragrances might seep into the crevices of an elephant’s mind, form pools of scent they recognize, year after year, the liquid memory of Africa. Perhaps that old bull was memorizing the stories in that trough, paragraphs of taste and smell, twists of plot and character and fate.

He retraced his steps to where we were parked, and stopped close by. His skin was the color of seasoned cast iron. The waterline on his body rose just past his belly. Spatters of mud stained his ears and back.

Ellie asleep b&w
photograph by Cheryl Merrill

 

After several long minutes, his eyelids drooped and his mouth slackened. Under the hot sun he fell asleep, lulled perhaps by the narcotic of a long, slow drink. The tip of his trunk coiled like a magic rope on the ground. He slept with his weight on three legs, resting a hind leg, occasionally rocking back on it as if he dreamed of his trek. Drool from his trunk slowly seeped into the sand.

I matched my breathing with his, and drowsed once again, sedated by the sun.

The giant beside us rumbled soft snores in his sleep. Other elephants shuffled by quietly on their way to and from the waterhole, as if they didn’t want to wake us.